-
1 кинопроектор
1) General subject: biograph, cine projector, cine-projector, cinematograph, kinematograph, motion picture projector, projector2) Engineering: cinema projector, film projector, filmstrip projector, motion-picture projection apparatus, motion-picture projector, projection unit4) Telecommunications: optical projector, optical-projection system -
2 cine
m.1 cinema (art).cine de verano open-air cinemacine fórum film with discussion groupcine sonoro talking pictures, talkies2 movie theater, picture theater, cinema, motion picture theater.3 movie making, movies, cinema, art of movie making.* * *1 (local) cinema, US movie theater■ ir al cine to go to the cinema, US go to the movies2 (arte) cinema\hacer cine to make films, US make moviesser de cine familiar to be fabulouscine negro film noir* * *noun m.1) cinema* * *SM1) (=arte) cinemahacer cine — to make films o movies ( esp EEUU)
de cine: actor de cine — film actor, movie actor (EEUU)
era una casa de cine — * it was a fairytale house, the house was like something out of a film
me lo pasé de cine — * I had a fantastic o brilliant time, I had a whale of a time *
cine de acción — action films pl, action movies pl ( esp EEUU)
cine de aventuras — adventure films pl, adventure movies pl ( esp EEUU)
cine de terror — horror films pl, horror movies pl ( esp EEUU)
cine mudo — silent films pl, silent movies pl ( esp EEUU)
cine sonoro — talking films pl, talkies * pl
2) (=local) cinema, movie theater (EEUU)¿quieres ir al cine? — do you want to go to the cinema o ( esp EEUU) the movies?
cine de barrio — local cinema, local (movie) theater (EEUU)
cine de verano — open-air cinema, open-air movie theater (EEUU)
* * *a) (arte, actividad) cinemael mundo del cine — the movie o film world
hacer cine — to make movies o films
actor de cine — movie o film actor
b) ( local) movie house o theater (AmE), cinema (BrE)¿vamos al or (Col) a cine? — shall we go to the movies (AmE) o (BrE) cinema?
* * *= cinema, movie palace.Ex. Sources from which the designer can draw inspiration include paintings and visual imagery from the theatre, cinema, and popular culture.Ex. This is a collection of more than 250 pen drawings of theater facades from the time when vaudeville was yielding to the movie palaces of the 1920's and '30's.----* adaptación al cine = film adaptation.* adaptar al cine = adapt to + the screen.* amante del cine = cinema buff, film buff, movie buff.* cine, el = movies, the.* cine en casa = home theatre, home cinema.* cine mudo = silent cinema.* cine negro = film noir.* crítica de cine = film review.* crítico de cine = film critic.* del cine = cinematic.* director de cine = film director.* en el cine = at the movies.* estrella de cine = movie star, film-star.* estudio de cine = film location, film studio.* festival de cine corto = short film festival.* fotografía de cine = cinematic photography.* industria del cine, la = film making industry, the, film industry, the, movie industry, the.* ir al cine = go to + the cinema, movie-going.* obra de teatro adaptada al cine = theatrical motion picture.* operador de cine = projectionist.* palacio del cine = movie palace.* película de cine = moving picture.* persona que va al cine = moviegoer [movie-goer].* productor de cine = film maker [filmmaker/film-maker], moviemaker [movie maker].* proyector de cine = film projector.* sala de cine = movie theatre.* * *a) (arte, actividad) cinemael mundo del cine — the movie o film world
hacer cine — to make movies o films
actor de cine — movie o film actor
b) ( local) movie house o theater (AmE), cinema (BrE)¿vamos al or (Col) a cine? — shall we go to the movies (AmE) o (BrE) cinema?
* * *el cine= movies, theEx: The children love puppet shows, the movies, story hours, contests.
= cinema, movie palace.Ex: Sources from which the designer can draw inspiration include paintings and visual imagery from the theatre, cinema, and popular culture.
Ex: This is a collection of more than 250 pen drawings of theater facades from the time when vaudeville was yielding to the movie palaces of the 1920's and '30's.* adaptación al cine = film adaptation.* adaptar al cine = adapt to + the screen.* amante del cine = cinema buff, film buff, movie buff.* cine, el = movies, the.* cine en casa = home theatre, home cinema.* cine mudo = silent cinema.* cine negro = film noir.* crítica de cine = film review.* crítico de cine = film critic.* del cine = cinematic.* director de cine = film director.* en el cine = at the movies.* estrella de cine = movie star, film-star.* estudio de cine = film location, film studio.* festival de cine corto = short film festival.* fotografía de cine = cinematic photography.* industria del cine, la = film making industry, the, film industry, the, movie industry, the.* ir al cine = go to + the cinema, movie-going.* obra de teatro adaptada al cine = theatrical motion picture.* operador de cine = projectionist.* palacio del cine = movie palace.* película de cine = moving picture.* persona que va al cine = moviegoer [movie-goer].* productor de cine = film maker [filmmaker/film-maker], moviemaker [movie maker].* proyector de cine = film projector.* sala de cine = movie theatre.* * *1 (arte, actividad) cinemarespetado por todos en el mundo del cine respected by everyone in the movie o film worldsiempre he querido hacer cine I've always wanted to make movies o filmsactor de cine movie o film actorpantalla de cine movie o ( BrE) cinema screen¿qué ponen or ( AmL) dan en el cine Rex? what's on at the Rex?Compuestos:action cinema, action moviesavant-garde cinema, avant-garde moviesadventure cinema, adventure moviesgenre cinematalkies (pl)silent movies o films (pl)film noirtalkies (pl)cinéma vérité* * *
Del verbo ceñir: ( conjugate ceñir)
ciñe es:
3ª persona singular (él/ella/usted) presente indicativo2ª persona singular (tú) imperativo
Multiple Entries:
ceñir
cine
ceñir ( conjugate ceñir) verbo transitivo:
el vestido le ceñía el talle the dress clung to her waist
ceñirse verbo pronominal cinese a algo ‹ a las reglas› to adhere to o (colloq) stick to sth;
cinese al tema to keep to the subject
cine sustantivo masculino
actor de cine movie o film actor;
hacer cine to make movies o films
◊ ¿vamos al cine? shall we go to the movies (AmE) o (BrE) cinema?;
cine de barrio local movie theater (AmE), local cinema (BrE);
cine de estreno movie theater where new releases are shown
cine sustantivo masculino
1 (local) cinema, US movie theater
2 (arte) cinema: me gusta ir al cine, I like to go to the movies
cine mudo/sonoro, silent/talking films pl
' cine' also found in these entries:
Spanish:
acomodar
- actuar
- adaptar
- ambientar
- ambientación
- anfiteatro
- animación
- antojarse
- auge
- banda
- bien
- borde
- cada
- capacidad
- caracterización
- cartelera
- cinta
- como
- corta
- corto
- descanso
- desenfocar
- desenlace
- dirección
- doblaje
- elipsis
- encontrar
- encuadrar
- encuadre
- escenografía
- espectador
- espectadora
- estelar
- estrella
- estrenar
- estreno
- exterior
- extra
- fanática
- fanático
- fotograma
- fumarse
- función
- gratis
- grúa
- guión
- hacinarse
- hasta
- ilusionar
- incondicional
English:
advance
- afterwards
- allow
- animated cartoon
- attendant
- audience
- B movie
- bristle
- camera
- caption
- cartoon
- casting
- cinema
- cinemagoer
- clapperboard
- co-star
- credit
- crew
- cut
- definition
- dolly
- double
- drive-in
- dub
- edit
- editor
- extra
- fade in
- fade out
- fawn
- feature
- feature film
- festival
- film
- film maker
- film star
- first night
- flashback
- foyer
- fret
- gore
- interlude
- intermission
- interval
- lead
- leading lady
- leading man
- less
- like
- location
* * *♦ nm1. [arte] cinema;cine de autor art cinema;cine comercial commercial cinema;Keaton fue uno de los grandes del cine cómico Keaton was one of the big screen comedy greats;cine fórum film with discussion group;cine de género genre cinema;cine negro film noir;cine sonoro talking pictures, talkies2. [edificio] cinema, US movie theater;cine de arte y ensayo art house (cinema), US art theater;cine de verano open-air cinema♦ de cine loc adjFam [muy bueno]se ha comprado una casa de cine he's bought an amazing house♦ de cine loc advFam [muy bien]cocina de cine he's a fantastic o brilliant cook;el equipo jugó de cine the team played brilliantly* * *m1 movies pl, cinema;llevar al cine make into a movie;2 edificio movie theater, Brcinema* * *cine nm1) : cinema, movies pl2) : movie theater* * *cine n1. (lugar) cinema2. (arte) film / cinema¿te gusta el cine? do you like films? -
3 Anschütz, Ottomar
SUBJECT AREA: Photography, film and optics[br]b. 1846 Lissa, Prussia (now Leszno, Poland) d. 1907[br]German photographer, chronophotographer ana inventor.[br]The son of a commercial photographer, Anschütz entered the business in 1868 and developed an interest in the process of instantaneous photography. The process was very difficult with the contemporary wet-plate process, but with the introduction of the much faster dry plates in the late 1870s he was able to make progress. Anschütz designed a focal plane shutter capable of operating at speeds up to 1/1000 of a second in 1883, and patented his design in 1888. it involved a vertically moving fabric roller-blind that worked at a fixed tension but had a slit the width of which could be adjusted to alter the exposure time. This design was adopted by C.P.Goerz, who from 1890 manufactures a number of cameras that incorporated it.Anschütz's action pictures of flying birds and animals attracted the attention of the Prussian authorities, and in 1886 the Chamber of Deputies authorized financial support for him to continue his work, which had started at the Hanover Military Institute in October 1885. Inspired by the work of Eadweard Muybridge in America, Anschütz had set up rows of cameras whose focal-plane shutters were released in sequence by electromagnets, taking twenty-four pictures in about three-quarters of a second. He made a large number of studies of the actions of people, animals and birds, and at the Krupp artillery range at Meppen, near Essen, he recorded shells in flight. His pictures were reproduced, and favourably commented upon, in scientific and photographic journals.To bring the pictures to the public, in 1887 he created the Electro-Tachyscope. The sequence negatives were printed as 90 x 120 mm transparencies and fixed around the circumference of a large steel disc. This was rotated in front of a spirally wound Geissler tube, which produced a momentary brilliant flash of light when a high voltage from an induction coil was applied to it, triggered by contacts on the steel disc. The flash duration, about 1/1000 of a second, was so short that it "froze" each picture as it passed the tube. The pictures succeeded each other at intervals of about 1/30 of a second, and the observer saw an apparently continuously lit moving picture. The Electro-Tachyscope was shown publicly in Berlin at the Kulturministerium from 19 to 21 March 1887; subsequently Siemens \& Halske manufactured 100 machines, which were shown throughout Europe and America in the early 1890s. From 1891 his pictures were available for the home in the form of the Tachyscope viewer, which used the principle of the zoetrope: sequence photographs were printed on long strips of thin card, perforated with narrow slots between the pictures. Placed around the circumference of a shallow cylinder and rotated, the pictures could be seen in life-like movement when viewed through the slots.In November 1894 Anschütz displayed a projector using two picture discs with twelve images each, which through a form of Maltese cross movement were rotated intermittently and alternately while a rotating shutter allowed each picture to blend with the next so that no flicker occurred. The first public shows, given in Berlin, were on a screen 6×8 m (20×26 ft) in size. From 22 February 1895 they were shown regularly to audiences of 300 in a building on the Leipzigstrasse; they were the first projected motion pictures seen in Germany.[br]Further ReadingJ.Deslandes, 1966, Histoire comparée du cinéma, Vol. I, Paris. B.Coe, 1992, Muybridge and the Chronophotographers, London.BC -
4 Paul, Robert William
[br]b. 3 October 1869 Highbury, London, Englandd. 28 March 1943 London, England[br]English scientific instrument maker, inventor of the Unipivot electrical measuring instrument, and pioneer of cinematography.[br]Paul was educated at the City of London School and Finsbury Technical College. He worked first for a short time in the Bell Telephone Works in Antwerp, Belgium, and then in the electrical instrument shop of Elliott Brothers in the Strand until 1891, when he opened an instrument-making business at 44 Hatton Garden, London. He specialized in the design and manufacture of electrical instruments, including the Ayrton Mather galvanometer. In 1902, with a purpose-built factory, he began large batch production of his instruments. He also opened a factory in New York, where uncalibrated instruments from England were calibrated for American customers. In 1903 Paul introduced the Unipivot galvanometer, in which the coil was supported at the centre of gravity of the moving system on a single pivot. The pivotal friction was less than in a conventional instrument and could be used without accurate levelling, the sensitivity being far beyond that of any pivoted galvanometer then in existence.In 1894 Paul was asked by two entrepreneurs to make copies of Edison's kinetoscope, the pioneering peep-show moving-picture viewer, which had just arrived in London. Discovering that Edison had omitted to patent the machine in England, and observing that there was considerable demand for the machine from show-people, he began production, making six before the end of the year. Altogether, he made about sixty-six units, some of which were exported. Although Edison's machine was not patented, his films were certainly copyrighted, so Paul now needed a cinematographic camera to make new subjects for his customers. Early in 1895 he came into contact with Birt Acres, who was also working on the design of a movie camera. Acres's design was somewhat impractical, but Paul constructed a working model with which Acres filmed the Oxford and Cambridge Boat Race on 30 March, and the Derby at Epsom on 29 May. Paul was unhappy with the inefficient design, and developed a new intermittent mechanism based on the principle of the Maltese cross. Despite having signed a ten-year agreement with Paul, Acres split with him on 12 July 1895, after having unilaterally patented their original camera design on 27 May. By the early weeks of 1896, Paul had developed a projector mechanism that also used the Maltese cross and which he demonstrated at the Finsbury Technical College on 20 February 1896. His Theatrograph was intended for sale, and was shown in a number of venues in London during March, notably at the Alhambra Theatre in Leicester Square. There the renamed Animatographe was used to show, among other subjects, the Derby of 1896, which was won by the Prince of Wales's horse "Persimmon" and the film of which was shown the next day to enthusiastic crowds. The production of films turned out to be quite profitable: in the first year of the business, from March 1896, Paul made a net profit of £12,838 on a capital outlay of about £1,000. By the end of the year there were at least five shows running in London that were using Paul's projectors and screening films made by him or his staff.Paul played a major part in establishing the film business in England through his readiness to sell apparatus at a time when most of his rivals reserved their equipment for sole exploitation. He went on to become a leading producer of films, specializing in trick effects, many of which he pioneered. He was affectionately known in the trade as "Daddy Paul", truly considered to be the "father" of the British film industry. He continued to appreciate fully the possibilities of cinematography for scientific work, and in collaboration with Professor Silvanus P.Thompson films were made to illustrate various phenomena to students.Paul ended his involvement with film making in 1910 to concentrate on his instrument business; on his retirement in 1920, this was amalgamated with the Cambridge Instrument Company. In his will he left shares valued at over £100,000 to form the R.W.Paul Instrument Fund, to be administered by the Institution of Electrical Engineers, of which he had been a member since 1887. The fund was to provide instruments of an unusual nature to assist physical research.[br]Principal Honours and DistinctionsFellow of the Physical Society 1920. Institution of Electrical Engineers Duddell Medal 1938.Bibliography17 March 1903, British patent no. 6,113 (the Unipivot instrument).1931, "Some electrical instruments at the Faraday Centenary Exhibition 1931", Journal of Scientific Instruments 8:337–48.Further ReadingObituary, 1943, Journal of the Institution of Electrical Engineers 90(1):540–1. P.Dunsheath, 1962, A History of Electrical Engineering, London: Faber \& Faber, pp.308–9 (for a brief account of the Unipivot instrument).John Barnes, 1976, The Beginnings of Cinema in Britain, London. Brian Coe, 1981, The History of Movie Photography, London.BC / GW -
5 Jenkins, Charles Francis
[br]b. 1867 USAd. 1934 USA[br]American pioneer of motion pictures and television.[br]During the early years of the motion picture industry, Jenkins made many innovations, including the development in 1894 of his own projector, the "Phantoscope", which was widely used for a number of years. In the same year he also suggested the possibility of electrically transmitting pictures over a distance, an interest that led to a lifetime of experimentation. As a result of his engineering contributions to the practical realization of moving pictures, in 1915 the National Motion Picture Board of Trade asked him to chair a committee charged with establishing technical standards for the industry. This in turn led to his proposing the creation of a professional society for those engineers in the industry, and the following year the Society of Motion Picture Engineers (later to become the Society of Motion Picture and Television Engineers) was formed, with Jenkins as its first President. Soon after this he began experiments with mechanical television, using both the Nipkow hole-spiral disc and a low-definition system of his own, based on rotating bevelled glass discs (his so-called "prismatic rings") and alkali-metal photocells. In the 1920s he gave many demonstrations of mechanical television, including a cable transmission of a crude silhouette of President Harding from Washington, DC, to Philadelphia in 1923 and a radio broadcast from Washington in 1928. The following year he formed the Jenkins Television Company to make television transmitters and receivers, but it soon went into debt and was acquired by the de Forest Company, from whom RCA later purchased the patents.[br]Principal Honours and DistinctionsFirst President, Society of Motion Picture Engineers 1916.Bibliography1923, "Radio photographs, radio movies and radio vision", Transactions of the Society of Motion Picture Engineers 16:78.1923, "Recent progress in the transmission of motion pictures by radio", Transactions ofthe Society of Motion Picture Engineers 17:81.1925, "Radio movies", Transactions of the Society of Motion Picture Engineers 21:7. 1930, "Television systems", Journal of the Society of Motion Picture Engineers 15:445. 1925. Vision by Radio.Further ReadingJ.H.Udelson, 1982, The Great Television Race: A History of the American Television Industry, 1925–41: University of Alabama Press.R.W.Hubbell, 1946, 4,000 Years of Television, London: G.Harrap \& Sons.1926. "The Jenkins system", Wireless World 18: 642 (contains a specific account of Jenkins's work).KFBiographical history of technology > Jenkins, Charles Francis
-
6 جهاز
جِهَاز \ apparatus: (a piece of) special equipment: I have my own apparatus for printing photographs. appliance: a piece of equipment (esp. electrical or mechanical). device: a clever plan; any machine, instrument, or piece of equipment that is planned for a special purpose: Have you a device for separating the cream from milk?. gear: equipment: Sports gear. set: an instrument for receiving radio or television material. \ جِهَاز إرسال (لاسِلْكي) \ transmitter: a radio set that transmits sound; the opposite of a receiver. \ جِهَاز بَدْء تشغيل السيّارة \ starter: a device for starting the engine of a car. \ جِهَاز تَصْفِيَة \ strainer: a device for straining: a tea strainer. \ جِهَاز تَعْشيق التُّروس \ gear: a set of toothed wheels that changes the speed of a vehicle or machine without changing the speed of its engine: We change gear to drive up a hill. Cars have three or four forward gears. \ جِهَاز التِقَاط لاسِلْكي \ receiver: (in radio) a set that receives sound; the opposite of a transmitter. \ جِهَاز تهوية أو تجديد الهواء \ ventilator: a device for ventilating. \ جِهَاز الرّادار \ radar: a device that shows the position of ships and aircraft in the dark, so that others may guide or avoid them; it shows this by marks on a radio picture, as in television. \ جِهَاز طَبْخ \ stove: a device for cooking or heating: an oil stove; a gas stove; a camp stove. \ جِهَاز عَرض الصُّوَر \ projector: a machine with a strong light that shines through film or pictures so they are seen on a screen. \ جِهَاز القابِض أو تَعْشيق التُّروس (في السيارة) \ clutch: a device for separating a car engine from the moving parts that it works. \ جِهَاز قِياس \ meter: (often in compounds) an instrument for measuring the amount, speed or movement of sth. (electricity, water, a vehicle, etc.): The water meter shows that we used 2100 gallons last month. The speedometer showed that the car was travelling at 50 miles an hour. \ جِهَاز لاسِلْكي \ radio: an instrument for receiving sounds by electrical waves: We were listening to the radio. I was given a new radio (set) today. What is on the radio?. \ جِهَاز لإطْلاق الطائرة من على سطح سفينة \ catapult: a powerful apparatus of helping aircraft to take off from a ship. \ جِهَاز لِتَقْطير الكُحُول \ still: instruments for making strong alcoholic drink. \ جِهَاز للتدفِئة \ radiator: a device for heating a room (either electrically or by hot water passing through pipes). \ جِهَاز للتَّنفُّس تَحْتَ الماء \ aqualung: equipment for breathing under water when swimming. \ جِهَاز المُسافر \ kit: all the clothes and equipment that are needed for a special activity: camp kit; football kit. \ جِهَاز مُنَظِّم \ regulator: a device for controlling part of a machine. \ See Also مُعَدِّل \ جِهَاز نَقْل الحركة \ gear: a set of toothed wheels that changes the speed of a vehicle or machine without changing the speed of its engine: We change gear to drive up a hill. Cars have three of four forward gears. \ جِهَاز هاي فاي \ hi-fi: High Fidelity (very sensitive) apparatus for reproducing recorded sound: When you listen to my hi-fi (set), it’s like sitting in a concert hall!. \ جِهَاز وقَاية \ safeguard: a device, condition, quality etc. that protects against possible trouble: A lock is a safeguard against thieves.
См. также в других словарях:
moving-picture machine — moving picture machine, = motion picture projector … Useful english dictionary
movie projector — Cinematograph Cin e*mat o*graph, n. [Gr. ?, ?, motion + graph.] 1. an older name for a {movie projector}, a machine, combining magic lantern and kinetoscope features, for projecting on a screen a series of pictures, moved rapidly (25 to 50 frames … The Collaborative International Dictionary of English
movie projector — Cinematograph Cin e*mat o*graph, n. [Gr. ?, ?, motion + graph.] 1. an older name for a {movie projector}, a machine, combining magic lantern and kinetoscope features, for projecting on a screen a series of pictures, moved rapidly (25 to 50 frames … The Collaborative International Dictionary of English
Moving image formats — This article discusses moving image capture, transmission and presentation from today s technical and creative points of view; concentrating on aspects of frame rates. Contents 1 Essential parameters 1.1 Image change rate 2 Capture 3 … Wikipedia
motion-picture technology — Introduction the means for the production and showing of motion pictures. It includes not only the motion picture camera and projector but also such technologies as those involved in recording sound, in editing both picture and sound, in… … Universalium
motion picture — motion picture, adj. 1. a sequence of consecutive pictures of objects photographed in motion by a specially designed camera (motion picture camera) and thrown on a screen by a projector (motion picture projector) in such rapid succession as to… … Universalium
motion picture, history of the — Introduction history of the medium from the 19th century to the present. Early years, 1830–1910 Origins The illusion of motion pictures is based on the optical phenomena known as persistence of vision and the phi phenomenon. The first … Universalium
Motion picture — Mo tion pic ture 1. A series of pictures on a strip of film, taken at regular intervals in rapid succession (now usually 24 frames per second for ordinary work) by a special camera, intended to capture the image of objects in motion. [PJC] 2. the … The Collaborative International Dictionary of English
Movie projector — This article is concerned with technical aspects of moving film projection. For non film movie projection, see digital cinema. For historical aspects, see the article history of cinema. 35 mm movie projector in operation … Wikipedia
Color motion picture film — refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. Contents 1 Overview 2 Tinting and hand… … Wikipedia
Overhead projector — in operation during a classroom lesson An overhead projector is a variant of slide projector that is used to display images to an audience. Contents 1 Mechanism … Wikipedia
